The Art of Sculpture

3-Dimensional Art, Installation, Ceramics, and Ancient to Contemporary Sculptural Forms.
arteenlima: Patricia Olguín | #muestra individual de #escultura #art #arte #artinlima #arteenlima (at La Galeria)

arteenlima:

Patricia Olguín | #muestra individual de #escultura #art #arte #artinlima #arteenlima (at La Galeria)

willbonner:

Start of a project depicting a selected group of characters from ‘A Game of Thrones. 

Andres Zerneri

Argentinian, b. 

Monumento al Che  

Question de Concepto

El arte no es un fin en si mismo, es una herramienta con la que expreso mis ideas politicas, defino mi identidad y me comunico con los demas. Gran parte de mi obra se construye de manera colectiva, por que en esa creacion tambien nos construimos. 
Mi obra es esfuerzo fisico, es un documento de mi paso por este mundo, es vos y yo parados frente a un espejo para mirarnos y descubrirnos.
Andres Zerneri

terrapotter: “I am intrigued by our intimate relationship to the crafted object. The embodiment of utility, divinity and beauty in the vessel form is as ancient as the existence of human consciousness. The process of making my ceramic vessels is animated by ideas of fecundity and containment intrinsic to the human form and the natural world. These notions find resonance in mythology, language and the hand-made object throughout history. My vessels speak of a conversation between ancestry and the present. Clay - with its malleability and transformations, fragility and endurance - is both an elemental medium and a record-keeper of lived experience and culture. Its mysterious and sensual nature and the fact that it is literally grounded suggest a metaphor for human life.” — Avital Sheffer, Seed I, 2011, Hand-formed clay, Glaze, Print, 65 x 45 x 27 cm

terrapotter:

“I am intrigued by our intimate relationship to the crafted object. The embodiment of utility, divinity and beauty in the vessel form is as ancient as the existence of human consciousness. The process of making my ceramic vessels is animated by ideas of fecundity and containment intrinsic to the human form and the natural world. These notions find resonance in mythology, language and the hand-made object throughout history. My vessels speak of a conversation between ancestry and the present.

Clay - with its malleability and transformations, fragility and endurance - is both an elemental medium and a record-keeper of lived experience and culture. Its mysterious and sensual nature and the fact that it is literally grounded suggest a metaphor for human life.”

— Avital Sheffer, Seed I, 2011, Hand-formed clay, Glaze, Print, 65 x 45 x 27 cm

(via ceramichands)